Reimagining Bodies, Identity, and Power in our Universities through Pauline Oliveros’ “Sonic Meditations”

Flirting with musicians over Tinder is strange. I often find myself in an effort to flex every intellectual muscle possible, and more recently, somehow wound up discussing the composers Hildegard von Bingen, Meredith Monk, and Pauline Oliveros. These women have been on my mind recently as I prepare to leave undergrad, remarking on my undergrad. Each of these women fashion embodied performance, stretching the boundaries of sound and composition, reimagining the physical body and the structure of storytelling, and a feminine perspective on creativity. To this, my cellist Tinder match (they/he) responded, perhaps also flexing a muscle:

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